Showing posts with label Sunset Strip. Show all posts
Showing posts with label Sunset Strip. Show all posts

Flashback--October 1968: Wild Man Fischer's Merry-go-round

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(Hollywood)


As Stoney, Jeff, and I prowled the strip, we ran into Wild Man Fischer, clenching a tape recorder, one of those portable Juliettes, blasting a song from his new album An Evening with Wild Man Fischer.

He shoved it under my nose and shouted, “Hear my song?”

C’mon let’s merry go, merry go, merry go round! Boop boop boop!

Merry go, merry go, merry go round! Boop boop boop!

Merry go, merry go, merry go round! Boop boop boop!



Me and you can go merry go round!

It’s very easy, just go up and down!

C’mon, c’mon let’s merry go, merry go, merry go round! Boop boop boop!

–“Merry-Go-Round,” Wild Man Fischer

“Yes, Wild Man, we hear it.”

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Circle Song



hleaf

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“You like my song?”

“It’s a cool song.”

“You wanna buy it? Only ten cents.”

“Not today, Wild Man. Thanks, anyway.”

A pest, but harmless--probably a rich pest. He fit his name; he was manic, always wound up tight, fast like a fly or hummingbird. He even looked manic: eyes practically popping out of his head, his hair, black and frizzy, stuck out at all angles. He wore a loud yellow shirt with blobs of red, orange, and green, and flip flops, though, sometimes, only one, even when it was cold. Plus, he was constantly running around the strip with that tape recorder.

I’ve heard that he’d spent some time in a mental hospital.

“I’ll play it again,” he said, pushing the rewind button.

“That’s okay.” We inched away.

I didn’t want to hurt his feelings, but he had a way of getting under your skin. And then he’d be off to the next group of freaks. They were all out tonight, unusual for a week night: Julius Caesar, drag queens, streetwalkers–a circus. We verbally sparred with Caesar, an old dude, his Roman soldier costume stolen from 20th Century Fox. He harassed tourists, the middle-aged straights who arrived on the strip decked out in Hawaiian shirts, Bermuda shorts, straw hats, and sunglasses, big clunky cameras around their necks, loud voices: “Hey, Herman, look at the dirty hippies.” Everyone was a dirty hippie because the straights couldn’t distinguish between groups that populate the strip.

Caesar yelled out his standard slogans: “LBJ is a necrophiliac; he digs dead dudes” and “All the way with LBJ; Lady Bird Johnson is a nymphomaniac.”

What a freak; his slogans angered many of the gawkers, who turned red.

Some even yelled back, “America: Love it or Leave it.”

Caesar paid no attention to the counter-yellers--like he was in a trance.

What a nark.

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Excerpt copyright 2008, Jennifer Semple Siegel.

Text may not be reposted or republished without permission.


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Disclaimer and Copyright Notice

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Memoir Madness: driven to involuntary commitment is a work of non-fiction.
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However, some names and/or minor characteristics of real persons have been changed to protect their privacy. Nicknames have been used for some real persons, most notably, Stoney.
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Some minor locales have been changed. The Crystal Ship was a real rock/head shop, but the name and locale have been changed.
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For coherence and literary purposes, some passages have been compressed, expanded, or shifted around. Some scenes and dialogue have been recreated.
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The time lines, late 1968 to May 9, 1969, April 2002, and August 2004 are accurate, and the facts of the case are correct, including the amount of time I spent in the Cherokee Mental Health Institute in Cherokee, Iowa.
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Events for which I have no documentation and/or memory of exact dates have been presented as flashbacks.
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Most of the illustrations shown on this website are symbolic and artistic representations of 1968-1969 and should not be interpretated literally. Some video clips have been embedded; copyrights remain with their respective owners.
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Minor factual errors, albeit unintentional, are mine alone.
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Website and all text copyright 1969 - present, Jennifer Semple Siegel. Text/images may not be republished or reposted without permission.
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Special Thanks and Acknowledgments

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To Dr. Mariano A. Favis, Jr., for being one of the good guys. Your wisdom changed the course of my life. Thanks to Michael Klein, author of Track Conditions and The End of Being Known and my former Goddard advisor, for his careful comments on my draft; he helped me to decide what to add and delete–mostly delete.
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Thanks, also, to York College of Pennsylvania’s Faculty Development Committee for a much-needed grant so that I could finish this book in a timely manner. Last, but definitely not least, thanks to my husband Jerry Siegel who read several drafts and offered me many valuable comments and insights.
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Apologies to Jeff Brown, a starring player and still my friend, for his immense understanding. I can only imagine what it might be like to have one’s past life dragged out and exposed to the world by an ex-spouse. Also, thanks to Jeff for reading the drafts and commenting on them.
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Apologies to one bit player: although my husband Jerry had no role in my life during the late 1960's, he has patiently accompanied me in my various quests for information. It must feel strange to read about that other Jennifer, not quite the Jennifer he met, courted, and married.
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Additional apologies to three offstage players: Eric, my son by Jeff; Casey, Jeff’s present wife; and Rhia, my granddaughter–Eric’s daughter. They have absolutely no role in this drama, and yet, by association, they are a peripheral part of it.
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