Showing posts with label Desktop computer. Show all posts
Showing posts with label Desktop computer. Show all posts

News Clip--October 4, 1968: Hewlett-Packard Advertises a Desktop Computer

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Today’s issue of Science advertises a new type of computer:

“The new Hewlett-Packard 9100A personal computer is ready, willing, and able...to relieve you of waiting to get on the big computer.” The $4,900 device, designed to sit on a desk top, weighs 40 pounds and is equipped with magnetic cards. This machine does scientific calculations.

From Wikipedia:

The Hewlett-Packard 9100A is an early computer/calculator, first appearing in 1968. HP called it a desktop calculator because, as Bill Hewlett said, "If we had called it a computer, it would have been rejected by our customers' computer gurus because it didn't look like an IBM. We therefore decided to call it a calculator, and all such nonsense disappeared." An engineering triumph at the time, the logic circuit was produced without any integrated circuits, the assembly of the CPU having been entirely executed in discrete components. With CRT readout, magnetic card storage, and printer, the price was around $5000.


The 9100A was the first scientific calculator by the modern definition (i.e. trig, log/ln, and exponential functions), and was the beginning of Hewlett-Packard's long history of using reverse Polish notation entry on their calculators.

Wikipedia GNU Free Documentation License

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Disclaimer and Copyright Notice

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Memoir Madness: driven to involuntary commitment is a work of non-fiction.
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However, some names and/or minor characteristics of real persons have been changed to protect their privacy. Nicknames have been used for some real persons, most notably, Stoney.
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Some minor locales have been changed. The Crystal Ship was a real rock/head shop, but the name and locale have been changed.
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For coherence and literary purposes, some passages have been compressed, expanded, or shifted around. Some scenes and dialogue have been recreated.
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The time lines, late 1968 to May 9, 1969, April 2002, and August 2004 are accurate, and the facts of the case are correct, including the amount of time I spent in the Cherokee Mental Health Institute in Cherokee, Iowa.
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Events for which I have no documentation and/or memory of exact dates have been presented as flashbacks.
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Most of the illustrations shown on this website are symbolic and artistic representations of 1968-1969 and should not be interpretated literally. Some video clips have been embedded; copyrights remain with their respective owners.
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Minor factual errors, albeit unintentional, are mine alone.
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Website and all text copyright 1969 - present, Jennifer Semple Siegel. Text/images may not be republished or reposted without permission.
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Special Thanks and Acknowledgments

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To Dr. Mariano A. Favis, Jr., for being one of the good guys. Your wisdom changed the course of my life. Thanks to Michael Klein, author of Track Conditions and The End of Being Known and my former Goddard advisor, for his careful comments on my draft; he helped me to decide what to add and delete–mostly delete.
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Thanks, also, to York College of Pennsylvania’s Faculty Development Committee for a much-needed grant so that I could finish this book in a timely manner. Last, but definitely not least, thanks to my husband Jerry Siegel who read several drafts and offered me many valuable comments and insights.
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Apologies to Jeff Brown, a starring player and still my friend, for his immense understanding. I can only imagine what it might be like to have one’s past life dragged out and exposed to the world by an ex-spouse. Also, thanks to Jeff for reading the drafts and commenting on them.
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Apologies to one bit player: although my husband Jerry had no role in my life during the late 1960's, he has patiently accompanied me in my various quests for information. It must feel strange to read about that other Jennifer, not quite the Jennifer he met, courted, and married.
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Additional apologies to three offstage players: Eric, my son by Jeff; Casey, Jeff’s present wife; and Rhia, my granddaughter–Eric’s daughter. They have absolutely no role in this drama, and yet, by association, they are a peripheral part of it.
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